Digital Projection’s E-Vision Laser 10K projectors provided a stable and predictable light source for up to 20,000 hours and offered built in edge-blending capabilities, ensuring a seamless image is created from multiple projectors. The compact, E-Vision laser was an obvious choice, as it’s able to compete with high levels of ambient light, delivering 10,500 lumens from a solid-state laser light source.įor an exhibition of this scale, it was important to choose technology that was flexible and reliable. Using too many projectors on the floor would have caused light scatter and had an adverse effect on the image quality on the walls, so the solution of using UST lenses achieved optimal performance for all canvases. Whereas traditionally you would point projectors downwards to the floor, we actually pointed them up but used the UST periscope lens, thus giving us the extra height and coverage.” Ground projection and cylinder projection mapping throughout also help create a fully immersive experience with 360-degrees visuals.Īlongside Digital Projection laser technology, a VNS GeoBox videowall controller was chosen to control the edge-blending output from multiple projectors, coupled with a BrightSign media player to deliver the video content.Īaron Hsu at Digital Projection Japan said having so many projectors in one room creates a unique set of challenges: “Because of the exhibition hall’s ceiling height limitation, the ground projection required more projectors to successfully display the entire image – we needed a creative solution to achieve this.
To achieve the magnitude required for Spirit of Japan, the venue was divided into three major areas to receive 360-degrees edge-blending projection across all the surfaces. This past has been given a new lease of life in the Spirit of Japan exhibition, which will be immersing visitors into Japan’s colourful history as it continues into next spring.ĭanny Rose Studio previously produced an exhibition in France, titled Dreamed Japan – Images of the Floating World, which attracted over 2 million visitors, and in light of its popularity the tour was reimagined for Spirit of Japan.
Untranslated, the title of the Spirit of Japan exhibition reads Ukiyo-e Theatre – the ‘ukiyo-e’ are small art pieces created in Japan from the 17th to 19th century which depicted daily life as it was. Danny Rose Studio, the collective behind the current Spirit of Japan art exhibition at the Kadokawa Culture Museum, has deployed more than 30 Digital Projection E-Vision Laser 10K projectors to illuminate the floors, ceilings and walls of the venue.
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